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  • Sober and over 30 at a music festival

    I recently went to All Together Now, marking my third festival with zero alcohol or tobacco and my second festival with no alcohol, tobacco or drugs of any kind (I had a hilariously bad experience with a brownie at Another Love Story last year). Since quitting alcohol two years ago and smoking last year, I honestly thought that experiences like music festivals would not be the same, and the effort of going to one would be heavier than the potential joys I would experience.

    I don’t want you to go into this article thinking I’m some joyless freak, who probably gets off on not doing anything fun. Let me rhapsodise briefly, because I really want to impress upon you how much I appreciate the joys of smoking and drinking, especially at a festival. There is nothing I can romanticise harder than lighting a rollie in a sunlit field, sitting on dry summer grass. Cracking open a can of beer as you begin that stomping trudge to the next stage. When you have a Deep Meaningful Conversation (DMC) with your best friends at 2am, lying under the stars and somehow avoiding getting stepped on by your fellow festivalgoers.

    In recent years, these moments had petered out, even with alcohol and tobacco in the equation. I couldn’t stay awake long enough to get drunk enough to have a 2am DMC, but I could certainly get drunk enough that I battled horrific anxiety and sickness the following day (or two).

    As for smoking, I began to notice that the romance of lighting a rollie was almost instantly extinguished after my first inhalation. The nicotine craving now quenched, all that remained was a dry throat and a bad taste. As I looked at the ashtray on my balcony, at all the half-smoked rollies, 5-10 per day on the balcony alone, I realised that I don’t actually like smoking anymore. However, there was more to that decision, as there was to my alcohol cessation (that story involves several days of diarrhoea).

    In summary, I’m not a joyless freak, but I could no longer pretend that there was any joy in drinking or smoking for me anymore. I hate to be the one to tell you, but generally being alcohol-free is the best thing ever. If you’re wondering whether or not it has made me smug, it absolutely has.

    So, those decisions brought me to All Together Now 2025 with no alcohol and no tobacco. What’s that like?

    In short, grand. If you’re feeling generally grand, and if you enjoy festivals, then it’s grand.

    A newsreader in a magenta blazer, with a dark brown bob, reports "When asked what it's like, the relatively young woman assured us that it's grand." Behind her is a photo of a smiling woman, and under the image is written "Brave! 'Grand' says youngish woman"
    Big if true!

    One great thing is that being sober doesn’t stop you from being “Festival You”. One reason that people go to festivals to be released from their normal social inhibitions. They often assume, as I always did too, that this will require a bit of Dutch courage.

    Most people are drunk or high, and so assume that you are as well. Their judgment is impaired, therefore you lose your fear of being judged. You can do your silly wavey dancing and show off what I referred to as “ass cleavage” (actually, more of an “underboob” equivalent, wearing a skirt short enough that the bottom of your cheeks is just about visible. “Ass cleavage” would be showing crack, and I’m too millennial to wear anything that isn’t high-waisted). Essentially, you get to be drunk without the hangover, and you can instantly snap out of it the moment it stops being fun.

    Being sober is the best cure for anxiety, and not just for straightforward chemical reasons. When you’re sober, you can clearly see how little anyone else notices or gives a shit (in a good way) about you or what you’re doing. And, after a certain point in the night, you see how most people don’t seem capable of seeing anything at all.

    It’s a bit disconcerting, seeing hordes of beautiful twenty year olds with glassy eyes and legs like baby foals stomping towards you, clutching big cans in their tiny hands. You feel that, if you don’t dodge, they will bounce off your stolid thirty-one year old body and, before you know it, you have created a twenty-child pile-up. They will lie in their pile of jerking limbs, still staring with giant pupils, thinking they’re still stomping their way to see Bicep, until someone comes and untangles them. Or lads lads lads, in one great shoving mass. Trying for big man energy but they are striding for all the world like Carrie, Miranda, Samantha and Charlotte on the streets of Manhattan.

    A depiction of Miranda, Carrie, Samantha and Charlotte from the show Sex and the City. Miranda has short red hair, wears a grey suit with a deep blue shirt. Carrie has unruly blonde curls, wears a small pink top with some grey beads as a necklace, a small pink clutch, pink ballet slippers and a tea-length turquoise tulle skirt. Samantha wears her short straight blonde hair with a pair of sunglasses perched on her head, a bright red dress with red heels. Charlotte wears a blue alice band over her long dark hair and a short blue dress with a small decorative bow. They are walking toward the camera in the style classic to SATC.
    Turlough, Ferghal, Jack and Eoghan making their way through the festival

    However, with the vast majority of your fellow attendees being totally legless, you realise that you could do all the things you want to without fear of judgement. For me, that involves taking my annual Wild Wee, barely visible among some trees. Dream big, you say? You’re underestimating how much I love an outdoor urination. And how long festival toilet queues are after 9pm.

    All of that nice stuff said, there is a definite feeling of disconnect for the sober festival attendee. Because that thing about people not noticing or giving a shit about anyone else has a bad side (as you might have suspected).

    Now, what a lot of people feel at a festival is togetherness, community. This festival is literally named All Together Now. To be fair, you do feel it sometimes. You feel it when you’re lying out at the bandstand, half-listening to the performer but mostly just dozing off in the sunshine with hundreds of other people. You feel it when you turn to the person behind you in the toilet queue to first roll your eyes, then loudly complain about the person taking upwards of ten minutes to take a dump or do a line of something, neither of which need to take ten minutes.

    But you start to lose touch with your fellow man when you see that someone has taken all the fresh toilet roll out of the portaloos and strewn them on the grass. Or you pass the tent where shit music has tinnily been blasting for 12 hours, with five or six people sitting in a circle of camp chairs, near comatose except for a guy in a weed-patterned bucket hat who is almost shouting. Or the dreaded 11pm influx to the festival grounds of people who have been in those camp chair circles for the entire day, only now surging to see whatever is on, dead boys and girls walking. Now, that’s what I call joyless.

    In a campsite at night, a man in a cannabis-leaf hat with huge pupils sits on a camp chair, smoking and talking. He wears a Bohs Fontaines DC jersey. Beside him, on another camp chair, a guy with a can of beer stares at the sky, also smoking. At their feet are crushed cans. A woman's bleached head is in the foreground.
    “AND THE THING IS THAT LIKE THEY LITERALLY HAVE TO TELL YOU IF THEY’RE A GUARD…”

    Or, horror of horrors, the final morning. People clear out, leaving vast scatterings of rubbish in their wake. Tents, cans, waterlogged pillows, boxes, camp chairs, vapes. Fuck these people, fuck them five ways to Sunday and comfort yourself with the thought that the skag they are about to experience is worse than anything you’ve felt in years. These specific people are the worst, and if you’ve ever done this, I hope that you are suitably ashamed, turned your life around, and now volunteer with young people who are at risk of becoming as shitheaded as once you were.

    But I’m being unfair to the vast amounts of drunk young people who do not leave their shit everywhere for someone else to clean up. The vast majority of these babies are good, normal people. My own personal baggage around drunkenness is mine and not theirs. I’ve noticed a puritanical tendency, even a compulsion, in me since I quit drinking, and a feeling of panic at the thought of inebriation that is certainly a sign of this being my problem. In short, these kids are triggering me.

    One morning, I lay in my tent trying to nap as I heard a young lad approach the tent beside mine.

    “Well lads what’s the fuckin’ storEEEEE!” came the voice. I rolled my eyes and got ready to listen, to try to remember all the heinous things that this young man was about to say so that I could repeat them to everyone for the next few weeks. What I heard instead was a pleasant conversation, and weirdly his chatting comforted me so much that I dozed off.

    It’s clear that there is something addictive for me in judging these kids. Maybe it’s as intoxicating as alcohol used to be. Intoxicating in the sense that it stimulates me, and it poisons me. It makes me meaner, less charitable. In the tent, listening to the young fella, I stopped trying to be outraged by him. A comfort descended, soothing me to sleep.

    As an aside, I remember once telling my therapist about two separate issues that were bothering me. One was that I was feeling incredibly insecure and felt as though people were judging me everywhere I went. The other was that other people were really irritating me, especially strangers, everywhere I went. My therapist brought me to the now-obvious realisation – if you’re spending all that time hating and judging others, you assume that they are doing the same to you. Your meanness towards others makes you mean to yourself. After all, you’re the only person actually listening to your internal vitriol constantly.

    An angry looking woman with a thought bubble which reads "Why is that girl such a stupid bitch?!? On a totally separate note... Why am I such a stupid bitch???"
    Two items on today’s agenda

    What I see at the festival is a mob, off their faces and rendered totally antisocial. What I neglect to see is that this mass of arseholes is made up mostly of individuals who are temporarily messy, and who are not permanently these people. (TW: mentions of getting sick until end of paragraph) I have certainly puked at festivals (even as recently as my Another Love Story whitey, though I actually managed to get every single drop into a bin bag). In my twenties, I gurned and I chomped my jaws and weaved through crowds, bumping gracelessly into indignant people, pausing occasionally to chunder. What I remember about those messy times were the sweet strangers, often people in their thirties, who rushed over to pat my back and make sure I had friends or I knew where I was going. (End of getting sick TW)

    This brings me to my biggest learning of the weekend. Perhaps it’s age and not sobriety that is the greatest contributor to my feeling of disconnect. Generally, people in their thirties and older do not have to spend too much time in the company or sharing the same resources as people in their late teens and early twenties. It really isn’t much fun having to do this. I find myself wishing there was some premium ticket where I could choose to be in a different plane of existence from twenty year olds.

    I had already had a taste of this intergenerational clash in June, at Charli XCX at Malahide Castle. On the train, two teenagers were charitably saying to one another “It’s nice that there are so many older people going to this”. They then began talking about who in their friend group would be “on the bag” at the concert (spoiler: most of them. Except “Aideen. Aideen never does coke.”). At the concert, it appeared that all of the infant worshippers of Miz XCX had been raiding Urban Outfitters. Bedecked in sunglasses that looked like something that would have come free with Sugar Magazine in 2005, with giant belts on tiny skirts, mixing their 00s references bafflingly (you can be boho chic OR you can be Playboy bunny on her day off in Von Dutch, you have to pick just one), these children thought they were the cat’s pyjamas.

    As Charli flung herself around the stage for an energetic hour, several what we call d’young peeple near us were unable to stand, and others were coke-ignorant of personal space. My bitter millennial brain had an epiphany: being brat is only subversive if you’re too old to really be a brat. brat is about the tension between wanting to grow up and wanting to stay young. It’s about liberating yourself from the maturity of this seeming next stage of life, unsure as you are to embrace it just yet.

    A baby in a green babygro that has "brat" written on it. Baby holds a pink rattle
    A photo I took of one of my fellow Charli XCX gig-goers

    A young person trying to be brat is literally just a brat. They stomp around in tiny skirts, thinking that they’re being subversive by being ignorant, when in fact they’re acting as God intended. Also, when discussing the youth, I keep invoking a God I do not believe in. I keep saying “God love them” or “God be with the days”. I never felt older than I did overhearing someone that night, as we surged through the crowds in Malahide to get the Dart home: “It’s giving queue.”

    The age tension is the real difference here. Kids will overdo it, get legless, say stupid things. They also might not, but they will still be treated like a potential mess by the older people around them. Their elder festival attendees judge them to be drunk babies whether they are or not.

    But this is not fair, and, young as these people are, they’re not idiots (or, at least, they have similar idiot-to-non-idiot ratios as older demographics do). They sense the underlying and sometimes blatant disrespect. I always sensed it. I remember, years ago, you’d get chatting to an older woman in a bathroom or a smoking area. They’d pretend for a few seconds to listen to whatever you were saying, then interrupt and ask your age, only to laugh ruefully and give you some shit like “Oh my God, you’re twenty-four, you don’t even know anything yet.” You are instantly dismissed.

    I resented them because I had silently chosen not to judge them for their blatant out-of-dateness. I had thought that I should be chatty and respectful in a “respecting my elders” kind of way. Maybe they sensed that. Just as I sense it now, when a young person is very chatty with me. I feel my hackles raise slightly, at the thought that they think I need this.

    We’re all just trying to protect ourselves. So here is my solution.

    As an over-30-year-old, I hereby vow:

    1. Not to act like your age is somehow an insult to my age
    2. To see you as a distinct person rather than a “young person”

    Please allow me to continue mocking your weird Gen Z/Alpha fashion.

    A girl with bleached eyebrows, blonde hair, pink lipgloss, a BDG jeans tank top, giant studded belt and tiny skirt holds a tiny pink handbag in one hand and a cyan vape in the other, emitting pink smoke. Perched on her nose are tiny black sunglasses. She says "Ok, fine. Clearly you need to get it out of your system."
    The kids are all right.

    Will all young people please vow:

    1. Not to give me compliments solely because you think I’m sad to be older than you
    2. To sometimes consider the volume at which you speak

    I will allow you to continue mocking my weird millennial high-waisted clothes and matte makeup.

    I’ll leave you with another moment that stuck with me from the Charli XCX concert.

    That night in Malahide, as a train finally approached, a girl near me said, to the general agreement of her peers, “It’s giving train”.

  • “Skinnily, I sadly and hotly…” A self-indulgent five-year retrospective on my brief Twitter fame

    A quick sketch of Connell and Marianne from Normal People. He is a handsome man in a GAA jersey which I have simply labelled "GAA" and he is wearing the iconic gold necklace of his actor, Paul Mescal. Marianne sadly looking down, with her hair in a messy bob with a fringe. Between them is the Twitter logo of old.
    Please excuse my lack of interest in realistically rendering a GAA jersey.

    On 24 July 2020, I was walking to St Stephen’s Green for a Tinder date. To set the scene – Taylor Swift had just dropped folklore and it was about to lash rain. Before leaving the apartment, I had rattled off a few tweets summing up my feelings about Conversations with Friends and Normal People. I had recently read Conversations and was in the process of reading Normal People. I had never seen the TV series. I still have not. Unbeknownst to me, I had caught the Rooney zeitgeist at exactly the right time.

    As I waited outside the gates of the park, I noted that a few people I knew who didn’t normally retweet much had retweeted me, with great enthusiasm. Then their friends joined in. By the time I was sitting down on the grass with my date, the thread had well and truly popped off on Irish Twitter.

    Before we get into this, I’d like to just thank you for coming to read my first blog post, and invite you to subscribe below if you would like my new posts to go straight to your email.

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    Here is my famous Twitter thread:

    I stared at Emma. She was talking very loudly and I could tell Joseph was attracted to her while also despising her. I visualized throwing wine at her but instead I poked my hipbone into his side and raised my eyebrows. He fingered me in silent agreement.

    “in case you hadn’t noticed, Joseph, I’m flawed. I’m not like Emma with her humour and her obnoxious breasts. Sometimes I think the only think I’m good at is cumming vaginally. And writing.”

    I don’t know why I go to parties anymore. Everyone just talks about refugees and human rights while playing soft jazz. I feel at nineteen we’re all too old for that. I stood there awkwardly in my very flattering black negligee that I’d paired with a beret from Urban Outfitters.

    Where’s Bronagh tonight? I couldn’t keep the edge out of my voice. Politically, I love other women but in practice it’s hard. She’s home for the weekend in Meath, he laughed humourlessly. I wish I could go home for the weekend but it’s harder when you’re from the west, I sighed.

    The doctor slammed my chart down. Tough luck, lady, he smirked, your womb is no bueno. Wait I can’t parody this cos it’s way too close to the truth of women’s healthcare and I really like how she represented that.


     A few initial thoughts:

    I’m pleased to see that it’s still funny, five years later.

    I’m particularly proud of “He fingered me in silent agreement”.

    I enjoy how you can see my date was probably at 14:30/15:00 and that I then took the thread back up the following morning to crank out a couple more jokes. Remarkable restraint, as all I wanted to do that day was continue making sweet love to Twitter.


    Now to the deeper musings.

    The lower half of a woman's face. In the background, an attractive man is saying "You've got to eat. So I feel better about riding you."
    Feminist icon “guy who feeds woman”

    Most of the main female characters in Sally Rooney’s works are thin, and it is made explicitly clear that they are. Now, Rooney is not at all the worst offender for compulsory skinniness in main characters – it tends to be the norm. Predictably, heroes in fiction tend to fit into societal beauty standards.

    But I can’t help thinking that Rooney is deploying a writing trick where, if you want your character to be fucked up in a sexy way, make them someone who frequently forgets to eat, who simply doesn’t even have time to remember their own health.

    Seldom do you have a heroine who overeats due to stress, or who doesn’t have time to plan to eat in a more healthy way, unless the novel is explicitly about the main character being overweight. Even then, quite often these are Bridget Jones-type heroines, kooky and messy and cute, but always striving for thinness (spare a prayer for teenage me, reading the weights that Bridget would note at the start of her diary entries as being heavy when they remain unattainable for most women).

    No Bridgets in the Rooneyverse – you’re sad and thin and that’s that. Bigger people must not exist or must not feel things to the same intensity as the Rooney women do, or they would be too depressed to overeat.

    Writing this, I was worried that I am being too hard on the Rooneyverse, and that maybe some of this is hypersensitivity on my part, but this Vogue article from 2024 convinces me that this criticism is not just projection of my own body image insecurities. (Also – apparently in Beautiful World, Where Are You someone rubs “the fin of someone’s hipbone”? Jesus Christ, I would’ve dismissed that as overdoing it if I’d come up with that). These sad, fragile women with extremely limited caloric intakes make the reader feel as though being depressed will make them slender, make them catnip for very sexy men who will, every so often, make them eat but in a horny, controlling, BDSM way. The following day, it’s back to the usual diet of a glass of water and a paragraph describing one’s own clavicles.

    The “Emma at the party” section of the thread deals with a few things. The hipbone of it all, which I have already discussed, but also the collision of supposed awkwardness with the absolute narrative certainty that is always present that the main character is hot, don’t worry. Rooney heroines are never comfortable in themselves but are always sexy. Sexier than the men’s actual partners, and smarter and meaner too.

    However, you can read the meanness as important character flaws for these characters, rather than an endorsement of their mindset by the author. I find criticising characters for their explicitly bad traits to be an example of media illiteracy in action. “Patrick Bateman is such a misogynist!!!” Yes, babe, that is the point!

    Am I doing this? Am I depriving Sally Rooney of her god-given right to write horrible people? Why does the characters’ meanness annoy me so viscerally?

    I think this is a “me” problem. I’ve always disliked when women in novels seem to hate cheerful, sociable women. Women like the Emma from the thread. These women are funny and loud and large, and, to whatever extent that I project this, heroines in fiction are always waifish and only funny in their silent inner monologue. They would never be so vain, so excessive, as to make loud jokes or be fun at a party.

    I see myself as the opposite of a Rooney heroine. I used to visualise myself in social situations as if I were one of those barwenches in pirate films, bawdy and ruddy, or an innkeeper’s cheery wife in Victorian London. I’m always imagining some Rooney-esque woman skinnily and hotly hating me. In a way, me and heroines like Marianne and Frances are natural enemies, but that doesn’t make the writing bad.

    But take another book where a slim main character spends most of the book skinnily and hotly hating people. I adored Boy Parts by Eliza Clark, and the antihero Irina is very mean and extremely toxic (spoilers ahead, and trigger warning for some topics that touch on eating disorders). Boy Parts takes pains to note how Irina fits and even exceeds female beauty standards, but it reveals that Irina has undergone cosmetic surgery, exercises constantly, wore a waist-trainer for years and lives on undressed Tesco bagged salad and wine.

    The book takes pains to show how very small Irina’s life and her aesthetic joys have become in pursuit of this standard. She begins to feel a kind of obsessive anxiety when doing anything she enjoys, linking it mentally with the loss of control she associates with eating substantial food.

    (end of TW) Boy Parts is a rare example of a book that mentions how unhealthy the pursuit of beauty standards is while not making it the entire point of the character, or making it a book explicitly about body image. Her dislike and distrust of others is also slowly revealed to be much more about her than about them.

    Maybe I’d enjoy Sally Rooney books more if they were horror stories?

    I think, whether it’s worthy of criticism or not, what I find when I read about Frances or Marianne is that they seem to think that they are the only sentient and meaningful people in the room, and I don’t know if the narrative pays this off in any effective way. To me, they’re Chekov’s asshole, except at the end they don’t go off, they just anticlimactically roll onto the next thing life has in store for them.

    Finally, I’m a bit embarrassed at the “cumming vaginally” part. I basically lifted the joke from the song “I’m So Good at Yoga” from Rachel Bloom’s incredible tv show Crazy Ex-Girlfriend. What I wanted to represent was my annoyance at how very easy sexual satisfaction was for these otherwise very complicated characters (though I’m trying to remember if Frances experiences a lot of pain during or after sex? So maybe that’s not entirely fair). It used to irritate me when I read Fifty Shades of Grey as well, how Annabel/Christiana/Bella (??? I will now Google her name…) ANASTASIA STEELE would have an earth-shattering orgasm if Christian so much as raised an eyebrow at her nipples.

    A depiction of Trinity College on the left. A male student in a turtleneck asks “what are we going to do about capitalism?” A woman with long hair and a nose ring answers “the workers need to seize the means of production, Eighan.” In the rural scene, two men in GAA outfits play hurling and football. One says to the other “hit the ball, Tommy!” A cow smiles blithely in the foreground. The heading is “the life of an Irish person *” at the bottom is written “*if your only knowledge of Ireland comes from Sally Rooney books”
    This may not be entirely fair, but I did have fun making it.

    I’m not sure to what extent Rooney is gently ribbing her characters when they go on pretentious political screeds in the middle of a café or house party. I suspect she is poking a bit of fun at how students do go on like this, but she does also put some actually insightful political stuff in there as well. I don’t think my satire quite works as the main character here would probably be in the middle of the refugee/human rights discussion rather than scorning it, but I did just want to make fun of that tendency in her novels.

    Also, and this may be because I’m not nineteen, but the youth of the characters sometimes didn’t ring true to me. True, I didn’t study at Trinity, so maybe I didn’t witness this level of pretention. The only Trinity nerds (I use this term with affection) I knew were studying music, and they used to entertain themselves by humming a note in unison after banging a tuning fork they’d whipped out of seemingly nowhere. Is that the music equivalent of what Rooney’s students do? Actually, it might be.

    A young woman looks nervously at a cocky looking doctor who is waving a chat that has a drawing of the female reproductive system, followed by the words “womb: it’s a no from me”
    Fun with healthcare

    I really enjoyed writing a doctor saying this and imagining how these novels would be if people said things like “tough luck” and “no bueno”. He’s kind of a ’90s dude from American Pie or something.

    Sometimes the callousness of Frances’ medical interventions felt overblown, but when I remember my own experiences with period pain in my teenage years, I think she was right. I used to writhe in pain, feeling as if my internal organs were being ground up like in Sweeney Todd, being actually certain that something must be horribly wrong. Pain is supposed to be a sign that you are taking damage (OK gamer), but when I spoke to GPs about this, there was no interest in scheduling a scan, or checking out my organs. They simply diagnosed me with dysmenorrhea. This is a disorder which means you have bad period pain.

    At the time, it felt like I went to a doctor with a hole in my head only to be diagnosed with hole-in-the-head-itis and charged €60 for the pleasure. Thank god for the pill, which calmed it all down. I remember having an ultrasound in my mid-twenties for something else, and being so relieved to finally get confirmation that I actually had a reproductive system in there, since my agonising teenage periods had made me feel as though it must have been converted into some kind of chamber of horrors.

    I think Rooney solidly represents how painful and farcical it can be, trying to have your ob/gyn needs taken seriously.

    One of the reasons I wanted to write this is because I will delete my X account soon. I hate the idea that funny stuff like this is still hanging in suspended animation while 20% actual weirdos and 80% bots say the most heinous shit imaginable to one another, all while Elon “le epic win, you win the Internet today sir, have my updoot” Musk feeds it all indiscriminately to his pointless AI “Mechahitler”.

    A drawing of a man resembling Elon Musk, wearing a hat saying "dumb fuck" and a t-shirt under a blazer saying "le epic win". He holds his finger up as if making a point, and a speech bubble says "Take my updoot, good sir!". An infant dangles from his left shoulder.
    He looks like he should be named Grok.

    I want to delete my X account, but I’m embarrassingly very proud of this thread and the Twitter fame that it afforded me. I remember in the weeks following, my friend sent me a tweet that almost word-for-word copied my opening tweet,. I posted a reply: “Very funny – it was also funny when I first said it on 24 July”. The person deleted their plagiarism. But it hit me that my most famous piece of writing is in a very precarious position on the Internet, and it is not attached to my name.

    Do I want it attached to my name?

    In one cowardly sense, no. I am infinitely more comfortable with the idea that strangers on Twitter hear me talking about vaginal orgasm than people in my real life. Of course, my parents have read the thread, as have my family and friends, and thankfully we all ignore the parts that are on a TMI level.

    In another sense, I am very proud of this, even though it was not actually that huge a thing. Currently, post-mass-Xodus from the platform, its first tweet has 15.45K likes, 1.27K RTs and 93 comments. It has 1 million impressions, 197K engagements and 162K detail expands. I don’t really know how big that is in the grand scheme of things, but I was never asked to sell vibrators in the comments below as other viral Twitter users were, so it can’t have been that impactful. But to this day, people like it. Since yesterday, two people have liked the first tweet. In all likelihood, they are OF bots or future mass killers, as is the main userbase of X, but that’s something.

    In the days following the viral moment, I removed Twitter from my shortcuts because it made it feel like my heart had crawled up into my throat when I would see the piles of notifications. There was a small bit of not-quite-backlash, of people thinking it was begrudgery and negativity to criticise Rooney’s work. I could never deny a level of begrudgery, as I am Irish. Luckily, I think the silliness of the parody kept the majority of people from thinking I was being totally horrible.

    I will also say that Rooney deserves the praise and success that she has received. Even though some parts compelled my eyes to roll, I kept turning those pages addictively. I also felt like Conversations with Friends had a real skill in not lingering too long on any particular scene. It trips along nicely, and you get a real sense of place. I also love the first part of Normal People where Connell and Marianne are teenagers, which mirrored a similar situation that had happened to someone close to me. I think Rooney’s way of showing how Connell hurt Marianne, not through malice but through fear and social expectations of masculinity, was really impactful.

    Fundamentally, a good writer is someone who keeps you reading, and Sally Rooney does that with apparent ease. Whatever problems I might have with her writing, she is not overrated and is very deserving of her success.

    Well, would you call a wonderful marriage and four beautiful children a success?

    I’m joking, we didn’t procreate, marry, or hang out again, but the date was nice.

    It lashed rain but we stayed under an umbrella in the park, sipping cans until our bladders demanded shelter. We went to his place, it was nice enough, and I apologetically had to keep checking my phone in disbelief as the thread continued to blow up.

    Neither of us felt a great connection to the other, but it was a very nice date, especially as it was the first time since the pandemic that I’d met someone new.

    The purpose of this blog post is to save my tweets somewhere that is not X. The point is to have some evidence of having owned this viral moment. It’s a bit self-indulgent but maybe I need to lean into my inner Rooney heroine. At least they (and Rooney) actually have the discipline to get things written and published.

    The purpose of this blog generally is to write. I have missed getting my words out there like I used to with Twitter. Unlike Twitter, this blog will force me to develop said words to something more than a pithy blurting of a thought.

    I’m going to write about media, mostly, and how I feel about it. I keep having ideas for podcasts, then not doing anything with them. I suspect a blog will suffice for now.

    Goodbye, Twitter, you were great and awful. 

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